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MUSA PARADISIACA
MUSA PARADISIACA
  • DER LEONE HAVE SEPT CABEÇAS


    CRAC Alsace,
    Altkirch, France

    Group exhibition
    Curated by Elfi Turpin
    and Filipa Oliveira

  • Der Leone Have Sept Cabeças is a group exhibition presented at CRAC Alsace, curated by Filipa Oliveira and Elfi Turpin. The exhibition brings together a large constellation of artists and works organised as a polyphonic and unstable structure, explicitly conceived as a “seven-headed lion”: a single body composed of multiple, divergent voices.

    Within this framework, the exhibition departs from a reflection on language, its breakdown and reinvention. The starting point is the story of two twins who invented a private language unintelligible to others, positioning linguistic invention and miscommunication as central thematic axes.

  • Rather than treating language as a transparent system, the exhibition approaches it as a site of disruption, invention and fictionalisation.

    It is within this exhibition that Ecstasy and Eden was first presented — a film that stages the dream of a steam machine. In the film, the machine enters a hallucinatory state in which it dreams of flowers, dissolving the boundary between industrial mechanism and vegetal imagination.

    The film constructs a world where machinery is no longer inert or functional, but capable of desire, fantasy and sensory transformation. Through this oneiric logic, mechanical elements become animated entities, caught in a cycle of perception, exhaustion and hallucination.

  • Across the exhibition, works operate within this broader logic of linguistic and material instability, where meaning is not fixed but continuously displaced across voices, objects and narratives. The “seven-headed lion” becomes both structure and metaphor: a figure of collective authorship, fragmentation and simultaneous articulation.

    Rather than proposing a unified exhibition narrative, Der Leone Have Sept Cabeças functions as a discursive machine in which different artistic positions intersect, interfere and reconfigure one another, producing a field of continuous translation between speech, image and object.

Galeria Quadrado Azul

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Musa paradisiaca is a collaborative art practice exploring sculpture, installation and interdisciplinary projects. We work collectively to create experiences that blur boundaries between mediums, ideas and audiences.

"Taxonomy can no longer serve as a measure of truth".